http://collider.com/the-iron-lady-movie-trailer/130968/ sharpness asymmetry variation transparency simplicity |
Thursday, December 20, 2012
Visual Techniques
Thursday, December 13, 2012
Contrast
http://chasemor.wordpress.com/2010/11/30/on-to-bad-graphic-design/ |
"Ambiguity is its natural enemy and must be avoided if the process of seeing is to function properly" (Dondis). If the text in the page had a solid color background behind it this design could be more efficient. In the headline of the webpage "Mama's Cheesies" is much easier to read because it has a solid color background behind it. The absences of contrast and repetitious nature cause for this to be a failure in design.
http://shop.tangyauhoong.com/product/autumn-s-fall |
This graphic created by Tang Yau Hoong is a good example of contrast. This technique sharpens the image in a well defined and creative graphic. To create a balance between contrast and harmony, Tang had to use different tones in color to separate the background from the foreground. In this image you can see that the empty space is just as important in creating this graphic as the patterns created from color are. The scale used in the different patterns also cause for contrast in the shapes. "The contrast of tone is as vitally important as the presence of light in the process of seeing. Through tone, we can perceive patterns that we simplify into objects with shape, dimension, and other elemental visual properties" (Dondis). By creating polarities between the the tonal patterns Tang Yau Hoong was able to create a more complex meaning into his work.
Thursday, December 6, 2012
Implied Motion
http://accad.osu.edu/womenandtech/Storyboard%20Resource/ |
This is an example of a storyboard for a
scene in a movie or TV show. The designer faced problems of clearly depicting
the motions that the camera needs to make. Another issue that comes with this
design is showing the motions that the characters must make in each shot. The
different boxes that are presented follow a story and it is important to read
them correctly or the story might become lost to the reader. By using arrows,
this design implied motion to the action of the characters and motions of the
camera. Also for the characters motion the use of motion streaks are create to
suggest motion. The viewer is guided from left to right of the page because the
boxes are numbered and the use of arrows. To also convey motion the background
images in each box are different referring that the character had to have moved
from point a to point b.
http://visualgraphic.tumblr.com/
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In this design motion is also implied and created. For
the user to move through this graphic they much read from the top left to right,
moving down and across back to the left. The use of variation in scale helps
create motion and focuses the attention of the user. In this graphic arrows are
also used to create motion but not all to help guide motion. For this graphic
the problem occurs when arrows face the opposite direction the reader is
intended to read the words. By using 2D in some words it creates the sense of
forward motion. The word “around” also creates its own for of motion because of
its swirl design type. The arrow under “once in a while” gives the implied
motion of a circular movement.
Thursday, November 29, 2012
Dimension/Depth/Space/Scale
http://cargocollective.com/VTDESIGN/Graphic-Design-Is
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Some visual cues that we have learned about are present in
this graphic design. By using cues of depth space and scale in this graphic they
have created a different sense of perception for the viewer. Interposition or overlapping helps the viewer develop
a sense of depth. Shadow convergence behind the blocks give the perception of relative
space. The use of different size blocks creates cues of distance. Aerial
perspective or “distance fog” is used in this graphic design by using darker
colors like the dark blue and black blocks to send to the background while the
red and lighter blue are features that are brought more to the foreground. The
size of text also create a sense of scale and size. By using larger blocks at
the top of the graphic the viewer uses that as a familiar size and use it as a
reference for comparison. The growing spaces between the blocks create a sense
of dimension as well.
Thursday, November 15, 2012
Tone and Color
http://25.media.tumblr.com/tumblr_lcq3awdx9U1qc2eojo1_r1_500.jpg
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How TONE is operating
- Most of our textural experience is optical, Donis tells us.
- In this example, tone creates texture by the various tone values.
- By mixing black and white it creates gray tones that also give the image texture.
- The smear-like method gives depth with the light and dark tones.
How TONE is interacting
- Tone is interacting with dimension by using darker red behind the white type.
- By using the various tones of red it creates dimension.
- As Donis explains, the use of tone gives us this perspective by creating “the sensation of reflected light and cast shadows” or "chiaroscuro".
http://24.media.tumblr.com/tumblr_lzetvrooRu1qaz991o1_500.jpg
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How COLOR is operating
- Color is operating through color coding.
- As Ware explains, color is used to create visual distinctions between one another.
- Color “stands for” the different things that “people at the ’10 Items or Less” line at the supermarket have”.
http://a1.s6img.com/cdn/0008/p/1646438_1528843_b.jpg
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How COLOR is interacting
- In this image color is interacting with line by creating them through different colors.
- The use of the colors black and yellow help to separate the yellow background from the black lines created.
- The space between the black colored lines show how color creates visual interaction with the yellow color.
- In this example it also confirms that line describes shape as Donis had suggested.
Thursday, November 8, 2012
Visual Communications Basic Elements: Movie Posters
Tone
In this poster for the movie Black Swan there is an example of the basic element of tone. Without "tone information" this image would not have dimension. In this image the white ballerina inside the black swan is given an illusion of dimension and depth because of the "variations in light". With the use of black and white you can see "the juxtaposition of tone, the intensity of darkness or lightness". Without a white background surrounding the black swan it would be impossible to distinguish between the background and swan.
Color
In this poster of the movie Dirty Harry, we can see an example of the basic element of color. When using color it is important to know that it "has stronger affinity to the emotions". In color there are many factors like hue, saturation and achromatic that affect the way we see. By using color we can direct viewers into "associating meaning" and evoke a feeling to them. With color we are able to create a larger vocabulary in visual literacy by being able to have symbolic meaning for the various different colors.
Dimension
Thursday, November 1, 2012
Puzzles
The counting squares puzzle works with pattern-seeking. Because
I used black and white ink instead of color it gave us a disadvantage at find
the correct number of squares. With the use of colors and various sizes it
creates distracting surroundings. By not having color it was easier to miss the
differences but by following the lines it was easier to find the pattern.
In this puzzle we had to visually find out which spiral had
two different ropes without tracing or touching the page. Both of us were able
to follow the lines of the spiral to see that the one on the left is only one
rope. For me I found it easier to find this by starting on the inside and work
my way into the spiral.
This is an example of dynamic structures. By using motion
visually we are working out “kinesthetic imagery”.
Wednesday, October 24, 2012
Thursday, October 18, 2012
Feature Hierarchy in Visual Queries
All three of these images are CD covers of
some of my favorite bands. In all of these are examples of feature hierarchy
and visual queries.
http://www.freecodesource.com/album-covers/B004IDV2KC--hoobastank-is-this-the-day-album-cover.html |
http://www.lyricspond.com/artist-mute-math/album-reset |
For the Mutemath album cover I found myself
looking at the top title then towards the middle down to the bottom and back up
again. I realized that in this design there were three points that caused this
eye movement. From the top left corner my eyes follow from left to right where you
can see the band name Mutemath in its full extended and elongated form filling
the top portion of the cover, from there my eyes continue to the right middle
towards the silhouette of a city which is created with various shapes and defined
by a darker orange color to contrast the background. Finally my eyes go back to
the left into the bottom corner where again color and patterns establish
contrast, here we see the name of the album “Rest”. Solving the reason for my
eye movement I was able to find the pattern (pattern finding) and realized the
entire album forms the shape of a triangle.
![]() |
http://www.cdstarts.de/kritiken/88139-Incubus-Light-Grenades.html |
In this Incubus “Light Grenades “album cover color is an obvious
contribute to feature hierarchy. By using the color red, the eyes create a bias
and makes all that one color stand out. This bias directs the eye to find more
red. By outlining the band name and filling the title of the album in red we
can quickly identify them. Were as, though the largest portion of the design,
the grenade in the center does not stand out as much because it is black and
white and is overlooked by the red heart in the center of it.
Thursday, October 11, 2012
Top Down
Being a visual communications major I chose a graphic image called
Day-vs-Night created by Tang Yau Hoong. Using positive and negative space, this
is a great example of Top-down visual processing. The two different colors of black and yellow
create eye movement for the viewer. Though the yellow background demands the
attention the most, other factors in color direct the viewer’s eyes elsewhere. The
blue color creates a bias in favor of signals to help amplify the color. In using the color blue on both birds it “increases
amplification” to focus the viewer’s eyes to both locations. The jagged edge patterns
give visual information to the viewer which is then combined with nonvisual
concepts to help the viewer perceive that the pattern creates trees in both the
day and night.
http://shop.tangyauhoong.com/product/day-vs-night
Thursday, October 4, 2012
Syntactical Guidelines
http://readymade99.com/portfolio/childrenshopetransposter.html |
The picture above is an example of bad design. With the use of color, scale and motion it is hard to focus on this graphic. The bright yellows throughout this design cause a bit of eye strain to the viewer which makes it difficult to read. The amount of information causes the scale of the lettering to be small and harder to read and makes "the eye must struggle to analyze" (Dondis, 28) the information causing ambiguity. The arrow in the top center causes the reader to focus on it with the intent to follow movement but it is not bring the reader to the important information given.
http://maptohealth.tumblr.com/post/21330358446/protein-your-diet-great-sources-of-protein |
Thursday, September 27, 2012
This image is a
visual representation of the economy. Colors of red, orange, yellow and white
cover the background to create a sunrise coming from the right corner. In front
of the sunrise is the silhouette of three men in suits and ties and two women
in skirts and blazers to reflect business-like attire. These five individuals
are all pulling up the symbol of American dollars, an “s” with a line through
the top and bottom of it. The American dollar sign is hanging over a cliff
while the five people are pulling a rope, making it seem like they are playing
tug-a-war.
Responses or feelings
1.
Hope
2.
Struggle
3.
Heavy
4.
Business
people
5.
Men out-weigh
women in business
Symbols
1.
Dollar sign=
money
2.
Men and
women= citizens
3.
Sunrise=
hope/ new beginning
Underlying compositional structure
This image contributes to creating the
feeling of hope because the sunrise in the background denotes a new beginning
or hope. The dollar sign being larger than the men and women denote that it is
heavy and hard to handle. The men and women silhouettes give the thought that
it takes all men and women to work together to create a better economy.
Thursday, September 20, 2012
Wk 3 Interactions Between the 3
http://chasingdelicious.com/kitchen-101-produce/
|
Representational: This is a representation to
show “visual information” of when fruits are in season throughout the year.
This graph gives an interpretation or representation of information to the
viewer to better understand and to be used for reference when it is the best
time to buy and eat certain fruits. This representation abstracts into symbols
used for expressive and communicative purposes.
Abstract: This is an abstract graph reduced to use the “basic
elements” of pie charts in the form of its shape. For the viewer it gives the outline
of the circular cycle that the year forms. This abstraction is more towards symbolism
than “pure abstraction” because it has meaning and still bears “representational
information”.
Symbolic:
The symbols in this graph are the written language and words used to describe the
months and fruits being synthesized also the graphic in the center which is a
logo of the company that produced this image. For the viewer, the symbol is the
“transmission of information” that helps explain the graph. The symbols are “information-packed” to give
communicative purpose to the representation.
Tuesday, September 11, 2012
Meaning
This hairstyle is representational because it gives the
viewer a visual appearance of a flower. The level of categorizing would be considered
a generic flower. Though there is a
level of detail, this representation is not detailed enough to be a specific
type of flower. The design captures expressive style and functional purpose. Expressively,
this hairstyle gives a whimsical and nature-centered feeling. For functional
purposes, this hairstyle is a convenient way to get hair up and out of the way.
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